for standing by me
so far this day.
With your help, I haven't
been impatient, grumpy
or judgmental
But...
I'll be getting
Out of bed soon,
and I'll be needing
Your help even more.
Yeah, it's that too. But with a sexual horror subtext.
Our commando team are all buff, macho men belonging to an exclusive fraternity of men. They are all warrior archetypes, the quintessential masculine role. Among them are various sub-types: the mystic, the nerd, the leader, the rivel, the stoic, the braggart. We are given an initial view of them being very good at what they do, so long as they stay within their all-male world.
At the camp, in the aftermath of their scorched earth attack, they encounter a woman guerilla. They capture her ostensibly for her intelligence value, but we are never given any evidence that she knows anything of value, and they make no serious attempt to question her. But it is only after this woman is taken -- by force -- into the male group that trouble plagues the team.
There are three quick scenes after the woman's capture that mark the transition to the bulk of the story. in one scene, two commandos share a bawdy joke, tellingly the punchline of the joke is about female sexual anatomy. In the next scene, two commandos have a tense moment in which one believes for a split second he is about to be stabbed from behind-- a symbolically (homo-)sexual attack. Instead, one commando is killing a scorpion which had crawled onto the second commando. The scorpion is important, because as the commandos fade into the jungle, it provides an important image for the final transition scene.
This third trasition is the first time we encounter the monster, although we view the scene through the monster's heat-vision. The monster comes down into the devastated camp, replaying snippets of the overheard conversations. The monster then picks-up the dying scorpion. The monster's heat-vision, the outline of the scorpion resembles an x-ray view of a uterus, fallopian tubes and ovaries and we watch it grow cold and black right in front of our eyes.
The first commando to die is the Geek. This is the one we would expect to be most vulnerable to a predatory female power. He is killed while chasing after the woman in an escape attempt. The next commando to die is the braggart, who carries the largest and most potent weapon (i.e. phallic symbol) in the squad. During this encounter, the monster is briefly seen, and the commandos manage to wound it while unleashing an otherwise futile "mad minute" of firepower.
The only person to realize the monster is wounded is the woman. She links herself to the monster by touching its strange blood trail, then wiping it on her pants. This act calls to mind the menstrual cycle.
Basically, the team is killed off one-by-one. They bring all their manly skills to the problem but nothing works. Big guns and knives come into play for more phallic imagery, but still the monster beats them. During a lull in this action, the woman reveals she knows something about the monster. Local legend recognizes the hunters as "the demon who makes trophies of men." This links the woman even closer to the monster, and even specifies the threat as being aimed at men.
Really, the last crucial thematic moment comes near the end of the movie and caps all that came before. The leader is alone in fighting the monster in primitive, hand-to-hand combat. The monster doffs the helmet/mask it has been hiding behind and reveals its most intimate self to the leader. The face is pale, the eyes are so small as to be inconsequential. The most prominent feature is its hideous, slash-like mouth -- it resembles nothing som much as a vagina with pointy teeth and grasping claws that pull things in and do not let go. The leader's words are classic and sexually charged: "You're one, ugly motherf*cker."
The leader, of course wins. Which could be viewed as the eventual triumph of mature masculinity over the adolescent fear of the sexual -- or it might be simple Hollywood storytelling. Regardless, Predator uses the vagina dentatus as the organizing principle. This is a fight between sexual roles and fears.
I know -- assuming you've read this far. You're thinkig there is no way this was intentional. You're probably right. But that is why it works. They couldn't set out to make a movie about the vagina dentatus and make it half as well. In fact, one of the reasons this theme pulls together so well is the design of the monster's face. In fact, the monster design wasn't finalized until near the end of shooting. The now familiar Predator monster was a compromise the production team was originally unhappy with.
Another clue that Hollywood didn't realize what it made is that the Predator monster -- which is objectively sexless -- became a masculine symbol of warrior power (exactly what it fought and mocked) in future incarnations. The last movie even pitted the masculine power symbol Predators against the feminine power symbol Aliens (which are an embodiment of a nightmare vision preganacy, birth, motherhood and family in the sickest of ways).
As I conclude, let me emphasize that a ten minute demonstration is hardly going to give a fair view of a full martial arts system, so I'm afraid that I'm not going to resolve any controversy over the issue of one-touch knock-outs, organ shutdowns, body meridians, chi channeling, or anything else. All I can say is, I was intrigued. Sure, the rational part of my brain grasped at reasonable explanations -- it even found some -- but that doesn't mean something else isn't afoot.
Actually, one of the things I've been working on in my own training is more careful listening and observation. It wasn't until sometime after the opportunity to see this demonstration that I realized I wasn't listening carefully enough because I was too busy thinking. Maybe I'll do better next time. But in the meantime, I'm going to retreat into my vast martial arts library to read-up on Okinawan karate, Ki, Chinese medicine, and pressure points fighting.
Genghis Khan was a firm believer in trade and education. After conquering an area, he would take time to interview the scholars and sages. The evidence indicates he enjoyed speaking with these people, and more importantly, he put their ideas into action to administer his new empire, or provide engineering services for his army.
The learned engineers of conquered China helped transform the Mongol army from horse archers to skilled siege masters, the weakness in steppe warrior experience that for centuries had relegated them to raid and retreat tactics. The scholars helped codify a simple, but broadly satisfying legal code. Genghis Khan's law included religious tolerance, free trade, and care for the elderly.
Believe it or not, Genghis Khan outlawed torture. This innovation did not last beyond two generations of his dynasty, but it was strictly adhered to during his reign. He also was careful to protect diplomatic envoys in his care, and expected the same courtesy in return. More than one war began when Mongol envoys were mistreated (i.e. killed and mutilated) when they were sent abroad.
Genghis Khan's fearsome reputation is a legacy of his adventure out of Central Asia into the firmly Muslim lands of Southwest Asia and the Middle East. Here he discovered a redoubtable enemy, and began the scorched earth policy that we now associate with the words "Mongol Horde." It was the Persians who called him a "scourge of God." The Arabs and Persians fought bitter campaigns to the last man, and Genghis Khan sought to crucsh this stiff resistence. The few cities which surrendered and accepted the benovolent rule of the Mongols took the trust to be a sign of weakness and erupted into open rebellion. The Mongols reurned to these rebel cities and wiped them from the face of the earth, trampling the buildings into the earth and killing all who opposed them.